Jogen Chowdhury, a luminary of contemporary Indian art, hails from the rich cultural tapestry of Bengal, now part of Bangladesh. His artistic journey began at the esteemed Government College of Arts and Crafts in Kolkata, where he honed his unique vision. Over the years, Chowdhury's remarkable talent has been showcased in prestigious exhibitions, including the I, III, and IV Triennales in Delhi (1972, 1975, 1978), the Sao Paulo Biennale (1979), and the II Havana Biennale (1986). His work has also graced international stages, such as the Festival of India in Geneva (1989) and notable galleries like Saffronart, the Pundole Art Gallery in New York, and the Vadehra Art Gallery in Delhi (2001, 2002, 2007). His pieces are proudly held in esteemed collections, including the National Gallery of Modern Art in Delhi, the Victoria & Albert Museum in London, and the Glenbarra Museum in Japan.
Chowdhury is celebrated for his masterful command of line, skillfully using curves to breathe life into his figures. His ability to distort form introduces a playful caricature-like quality to his depictions of men and women. In his recent works, he intricately weaves together sensory experiences of fabrics, cushions, and the human body, creating an uncanny world where tension and relaxation coexist. This interplay, enriched by personal memories and associations, lends his motifs a symbolic depth that transcends mere representation, inviting viewers into a realm of profound and often inexplicable experiences. Through his art, Chowdhury challenges us to explore the nuances of perception, making every encounter with his work a journey into the complexities of human emotion and experience
